Lars Sandås

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The common denominator in much of my work is my interest for “invisible stories”. By focusing on phenomena, problems and historical events I feel we – as a society – need to pay more attention to, I illuminate underexposed parts of reality.

Lars Sandås website.

In the pieces Små monumenter / Small monuments (KORO, 2019), In Ruins (2018) and Narkoatlas / Drugatlas – Oslo (2016), I comment on societal and political themes like outsiderness, distribution of wealth, injustice and violence, all of which are common themes in my art.

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My last project Deep fried World (2024) thematizes how over consumption characterizes most aspects of our society, and how consumption contributes to destroying the basis of our lives. I am interested in investigating how this is experienced for people – in their lives, bodies and emotions.

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