Press
A selection of published reports, logbooks, podcasts and reviews 2017 – 2024
Press published on Art on Food, 2024
Masterchef Kunstverden KUNSTKRITIKK by Editior Stian Gabrielsen.
Reflections on Coast Contemporary – Non di solo pane vive l’uomo!
CAS – Contemporary Art Stavanger by Viviana Checcia, director of Void Art Center in Derry, Northern Ireland.
ICI – Independent Curators International also published Viviana Checcias text on their website.
Press published on Ocean Eyes, 2023
Mytiske sjøtroll og det umulige. KUNSTAVISEN 2023
Interview with curator Valentinas Klimasauskas
Press published on Land of Prey. Witch-hunting in the 21st Century, 2022
HAKAPIK 11.01.2023
Coast Contemporary: Solidarisk og saktegående kunstaktivisme.
Interview with founder Tanja Sæter by Editor Hilde Sørstrøm.
HAKAPIK 28.12.2022
Insisterende Fortrolig
Review of WOOLWALKER, a performance by Marita Isobel Solberg. By Leif Magne Tangen.
KUNSTKRITIKK 05.10.2022
Report from Land of Prey. Witch-hunting in the 21st Century by Carina Elisabeth Beddari.
Ullen Kunstkritikk. KUNSTKRITIKK 18.10.2022
Comment on Ullen Aktivisme by Tanja Sæter.
Archive from 2017-2021
Spike Art Magazine 17.10.2017 / Mit Schiff, Fish und Scaum / Logbook by Robert Schulte
Frieze 24.10.2017 / Coast Contemporary / Review by Adam Kleinman
Weekendavisen / Arktisk Vækkelse / Review by Maria Kjær Themsen
La Stampa 09.10.2017 / L’arte naviga tra i fiordi / Review by Manuela Gandini
Alfabeta 2, 13.10.2017 / Viaggio in Norvegia / Review by Francesca Pasini
OCULA 10.11.2017 / Tanja Sæter in Conversation / OCULA Conversation by Cathryn Drake
Elephant Magazine / Nordic Lights and Romantic Delutions / Column by Ben Eastham / Issue 34 (in print)
Billedkunst 2017 No 5 / Brytning i Bergen / Critique by Liv Brissach
Hanne Lippard / Stavanger Kunsthall
Art World 325 / Behind the Scene / By Jia Lin
Artco China / Norwegian Contemporary Art / -And the Treasures Come from the Ocean
Stefan Mensch 29.10.2018 Cultureblog
Die Welt 06.01.2019 / Kann Norwegen nur Männerliteratur? / By Claudia Schumacher
Monopol Magazin / Auf Kunstkreuzfart entlang der norwegischen Küste / Reportage by Saskia Trebing
Droste Effect 07.01.2019 / Rugged, weathered above the sea / Reportage by Lorenza Pigniatti
Flash Art 01.02.2019 / Notes from aboard the MS Trollfjord / Report by Jennifer Piejko
Romsdals Budstikke 14.10.2019 / Coast Contemporary på Håholmen / Feature by Rigmor Sjaastad Hagen
Ask Addoley + Anna – Season 2. 13 English episodes.
Commissioned by Coast Contemporary 2019.
Ask Addoley + Anna is a collaboration between artists Addoley Dzegede and Anna Ihle in the form of a podcast. Ask Addoley + Anna offers advice on career, home economics and relationships. Season 2 contains 13 episodes and interviews with 16 of our guests attending Organized Freedom – Coast´s third edition, curated by Sverre Gullesen and Tanja Sæter in 2019. Click on the Coast Cast page for more details on each episode.
Location Molde / Håholmen / Hurtigruten
KUNSTPODDEN 2020 PODCAST
The doomed girls island / De fortapte pikers øy.
KUNSTPODDEN podcast by Editor Cecilie Tyri Holdt, ADLINK and Flink Pike. 29.10.2020.
Interview with Tanja Sæter, founder of CC and curator of Coasts fourth edition Constructing Structures.
KUNSTPODDEN is an art podcast based in Oslo, covering the art scene.
Norwegian language.
Location: Hovedøya in the Oslo-fjord.
Artists presented at BABEL: Ørjan Amundsen, Breton Cassette (17 artists and cassette releases), Anne Marthe Dyvi, Lesia Vasylchenko and USIKKERKUNSTJENTE (consisting of Alexandra Jegerstedt and Iben Isabell Krogsgaard).
Curated by Coast founder Tanja Sæter.
“In September, works by five artists were shown, as well as an audiovisual discography from the publisher Breton Cassette at the BABEL exhibition room for art. The exhibition is part of Coast Contemporary, a program of conferences, exhibitions and performances in Trondheim and Bergen. It is a project that since 2016 has aimed to establish a common platform for dialogue and communication between curators and creative artists. This year it takes place under the title Time as a Social Institution where curator Tanja Sæter conceptualizes an almost dystopian reflection on socio-cultural dilemmas and paradoxes in the contemporary search for a better future. A hunt portrayed as a time travel between futuristic and romantic, sentimentally nostalgic institutions.”